The space that defines the Sundance Institute Theatre Program is that precious wedge of time between "idea" and "production" when artists dream, leap into their discomfort, their unknown, and get closer to their vision. I believe that theatre artists tell the truth and so at Sundance, we become their stewards, assuring their safe journeys, and championing that their voices be heard. -Philip Himberg

Thursday, July 29, 2010

To Yearn for the Vast & Endless Sea

FROM PHILIP HIMBERG:

We gather for the last time here on Manda at the Akili Dance Studio to say goodbye. I ask one question: What will you take away from your time at the Sundance Institute East Africa Theatre Lab? Here are some of the replies:
  • I am richer as a person and as an artist
  • It has really touched my heart. I am more human.
  • I go away absolutely certain of my abilities. I have seen what more is possible. I am a playwright.
  • I thank God I have made new friends. I go back with loads of knowledge, challenged as a creator. I want to sustain the growth.
  • A reinvigorated sense of hope for the theatre of East Africa.
  • It’s nice to know I’m not alone, there are artists I share the same dream with.
  • I feel “re-incarnated” in the theatre.
  • I feel pressure now not to give up on that space between idea and production. Anytime you are in Uganda, I have that ‘space’ for you.
  • I have happy tears. You have all re-defined who I am.
  • Now we’ve become a family. I’m leaving this place a more rejuvenated Jacob.
  • For me, like a dream comes true – to meet many artists in East Africa. Thanks Sundance for making this happen. This is a new beginning for us to create a network in East Africa. I hope there is a next and a next and a next and a next…
  • I came as “Andnet”; I leave as CNN (note: we called him CNN because he was filming us every day, as our archivist).
  • To me, this is a family now. Your Sundance have protected us in a way. Sundance has started and “we” have to continue it.
  • I feel like I’m Kenya, I feel like I’m Ethiopia, I feel like I’m Uganda. I feel like I’m Rwanda.
  • The important thing to me is ‘the space’.
  • You’ve enriched me in ways you may not be able to know.
  • I will miss the way we danced.
  • The first thing I take away is the value of smile. And I learned the word: Dramaturg.
  • I take away the power of listening. People here were listening.
  • Thank you for being true to you so I could be true to me.
  • I go back having learned to listen to the unsaid and unspoken.
  • Our destiny is in our hands.
The last story I told was the confluence in my life of Antoine de Ste. Exupery’s THE LITTLE PRINCE. I am staying in a house called BAOBAB surrounded by Baobab trees. Sundance's Theatre Program recently developed a musical called SAINT EX, about this author and pilot. In Rwanda, we stayed in a hotel called Le Petit Prince. And this morning I found this quote. I recited it as we watched the sea from our Studio window:
"If you want to build a ship, don’t drum up the men to gather wood, divide the work and give orders. Instead teach them to year for the vast and endless sea.” -Antoine de Ste. Exupery

Deborah Asiimwe in Lamutown square performing a portion of THE BOOK OF LIFE

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